Roger Keen was born in London and lived in Dorset
and the Midlands before settling in Plymouth in 1970. He attended
Plymouth College of Art & Design and Bournemouth & Poole College
of Art & Design, studying fine art, photography and film. Since then
he has worked extensively in television, contributing to many
award-winning programmes for the BBC, ITV and Channel 4.
In the ’80s he was involved in shows such as The
World About Us and Wildlife On One for the BBC, and drama
series such as Robin of Sherwood for ITV. In more recent
times he has concentrated on children's and educational programming,
light entertainment and documentaries, several of which have won awards,
such as the Wincott Foundation Broadcasting Award for Best Business
Programme of the Year, Royal Television Society Awards, and Gold Awards
in the 36th Worldfest-Houston International Film & Video festival.
Roger is also a feature writer and journalist, with articles, interviews and reviews—mainly
on the subjects of film and
literature—appearing in various magazines, including Critical Wave, Writer's Monthly, The Third Alternative, Dementia 13 and Prism. He
also wrote short stories in the '90s, several of which appeared in magazines of that era, such as Psychotrope, Threads, Sierra Heaven, Flickers 'n' Frames
and Saccade. Currently he does review and feature work for several webzines, including
The Digital Fix, DVD Times, The Zone, Video Vista and Infinityplus.
The memoir The Mad Artist covers Roger's student years, from
1975–79:
It is the final fruit of literary experiments I was
doing in the 1970s and ’80s attempting to fuse autobiography and
fiction in postmodern ways, very much under the influence of Jack
Kerouac, William Burroughs, James Joyce and others. Those experiments
were inconclusive and the various projects drifted, but much more
recently, with the benefit of considerably lengthened perspectives, I
came up with the idea of forming the material into a nostalgic memoir,
approaching the reality/fiction-fusion element from the non-fiction side
of the fence and making my literary experiments part of the story, hence
the title.
The other big factor in the tale is the drug
experiments, involving LSD, cannabis, psilocybin and fly-agaric
mushrooms—in both recreational and ‘psychonautic’ modes; that is
with the aim of gaining higher spiritual or metaphysical knowledge. In
this respect the influence of Eastern mysticism, particularly the Tao
Te Ching, the I Ching and Zen Buddhism, figures strongly, as
do the works of certain anthropologists who were popular in that period:
R. Gordon Wasson, Weston La Barre, Richard Evans Schultes, Michael
Harner and the now discredited Carlos Castaneda.